Rubb-O-Gram Untitled 12.01
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
16-5”x 3.5” prints assembled on 30”x20” single ply archival board Unique assemblage
Rubb-O-Gram Untitled 12.02
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
30-4”x 2.5” prints assembled on 30”x20” single ply arrival board Unique assemblage
Rubb-O-Gram Untitled 12.03
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
16-5”x 3.5” prints assembled on 30”x20” single ply arrival board Unique assemblage
Rubb-O-Gram Untitled 12.04
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
30-4”x 2.5” prints assembled on 30”x20” single ply arrival board Unique assemblage
Rubb-O-Gram Untitled 12.05
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
10-4 x 2.5”, 4-5”x 3.5” prints assembled on 30”x17” single ply arrival board Unique assemblage
Rubb-O-Gram Untitled 12.06
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
24-4”x 2.5”, 6-5”x 3.5” prints assembled on 30”x20” single ply arrival board Unique assemblage
Rubb-O-Gram Untitled 12.07
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
19-4”x 2.5”, 5-5”x 3.5” prints assembled on 30”x17” single ply arrival board Unique assemblage
Rubb-O-Gram Untitled 12.08
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
14-4”x 2.5”, 4-5”x 3.5” prints assembled on 30”x17” single ply arrival board Unique assemblage
Rubb-O-Gram Untitled 12.09
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
18-4”x 2.5” prints assembled on 29”x 20” single ply arrival board Unique assemblage
Rubb-O-Gram Untitled 12.10
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
18-4”x 2.5” prints assembled on 29”x 20” single ply arrival board Unique assemblage
Rubb-O-Gram Untitled 12.11
Pigment Ink on Harman/Hahnemühle Gloss Baryta
2012
22-4”x 2.5”, 6 -5”x 3.5” prints assembled on 30”x 20” single ply arrival board Unique assemblage

RUBB-O-GRAM explores the idea of direct photographic representation with the use of light in the absence of analog photographic materials, such as light sensitive paper and chemicals. Using an overhead projector, I playfully drop rubber bands on its bed, projecting their images onto a screen. The rubber bands function as a conveyor of line and their projected silhouetted images form accidental patterns. The projected light drawings are photographed and then arranged in a grid, attempting to impose a structure of order upon the random patterns. The alignment is intentionally imperfect to imply entropy at play. 

The accompanying video becomes a durational “photogram” as well as a document of a performance where the element of chance plays a central role.